Tuesday, July 31, 2012
Why Writing Isn't Enough
It's much safer to keep your writing tucked away on your hard drive, or in a trunk under the bed, because exposing it to daylight invites possible judgment and criticism. Some writers are sensitive by nature, but writing is not for the skin-thinned, so where should you start? I started with a critique group, and think a good critique group (consisting of fellow writers) is worth its weight in gold. Other writers are the best resource (IMHO) for pointing out your own strengths and areas for growth as a writer.You can find them through professional writers groups, conferences, and online message boards or blogs. Use the feedback to make your work the best it can be. But you can't stop there.
At some point, you have to bite the bullet and put your work out there. Whether it's querying agents and editors if you aspire to a traditional book deal, or hiring an editor and then self-publishing, no one can read your book if it's not available. This doesn't mean rushing things. Take your time to write, revise, edit, and polish your book to a high gloss. But if writing and all that goes into making a complete novel is Step #1, make sure you eventually push yourself to do Step 2). Put it out there.
Which step are you on? Any tips for those struggling with Step 2?
Tuesday, July 10, 2012
How Do You Reward Yourself?
So when I really want to push myself, the reward needs to be bigger, and then I'm way more likely to reach my goal. I don't watch much television and don't have any of those recording thingies to watch shows later, but I have a crazy addiction to Design Star on HGTV--I know, some people have a wild side, and mine is dan-ger-ous. Anyway, guess who hit her word count goal last week with over 30 minutes to spare? This girl. It's on again tonight and I'm sure I'll hit my goal today too, because no way in hell am I missing David Bromstad's pep talks regarding room decor (I'm so badass like that).
Now that I've confessed my sure-fire writing reward, I want to know about you. How do you reward yourself? (It's okay if your method isn't as hard-core as mine. Not everyone can be this cool. ;)
Tuesday, July 3, 2012
Longhand versus Laptop
(NOTE: This is not the actual pen used, but I am SO getting this pen one day!)
I had a client need to reschedule an appointment at work, which left me with an entire hour of writing time--except that my laptop was at home. For some reason, I pulled out my legal pad rather than the cute flowered notebooks I usually carry, and decided to write a chapter. The words flew onto the page, and when I typed them into the computer that night, I'd written almost 3K words...in an hour. For me, that's a lotta words, and even though I took shorthand in high school, I also took typing, so I couldn't believe how fast I was. The other strange part was that when I went back the next day to edit, it required way less editing than usual. In the next two days, I easily wrote two more chapters that way. I know there are studies out there about enhanced neural activity and increased memory capacity in writing versus typing, but I'd never tried it out for myself.
Summer with the kiddos has challenged my writing time, but my goal for this week is to get 10K words completed, because I'm excited to finish my new book...and because my agent is waiting patiently for it.;)
Have you tried writing in longhand versus typing? Anyone else notice a difference?
Oh, and Happy July 4th! The Wednesday Query Critique will be back next Wed. 7/11 on my personal blog.
Monday, June 25, 2012
Do You Have What It Takes?
"I'd like to write a book someday too, when I have the time to fritter away." I got that comment from a well-meaning friend of mine who knows I'm a writer: I think it was the "fritter away" part that actually made my teeth grind together. Writers know that there is no magic time fairy who waves her wand over us and gives us blocks of time that other mere mortals don't have (that would be SO cool though). The difference between people who write books and the people who just talk about writing books is simple. People who write books commit to the writing.
We write when other people are watching reality shows. We write until the wee hours of the night when everyone else is asleep (long after the caffeine has worn off). We rise at ungodly hours to squeeze in several pages before work or before the kids wake up (long before the caffeine has kicked in.) Even when not writing, we are thinking about writing. Plot issues and characterization get worked out in the shower or while folding laundry. Whether we eek out a paragraph at a time, or multiple pages in a sitting, we keep writing...and writing...until we have a finished book.
We have families, jobs, volunteer commitments, and chores (did I mention laundry?), just like everyone else. Unlike everyone else, we commit to telling stories, one sentence at a time. I'm a writer. What about you?
Do you have what it takes?
Wednesday, June 20, 2012
Everybody's Got One
A secret that is. Everyone’s got a secret. What were you thinking?
One of my favorite filmmaking tips is as the director, to give each actor a secret about their character. One they can’t share with anyone, but will inform everything they do in every scene.
Secrets can add depth and subtext to a scene that might otherwise be merely functional, or ordinary. For (a poor) example: A character who is hiding a fear of heights, might try to convince his crush not to hike up to a popular make out spot on a cliff despite wanting desperately to make out with her.
While it works really well in film where we can both see an actor’s face, and hear their change in tone when responding to an innocuous request, I think it can also work well in a novel.
You probably already know your main characters darkest secrets, and maybe even some of their love interest’s or antagonist’s, but what about everyone else? This ties in with my previous post “Why Are You Here?” about every character having a reason to be where they are in every scene.
In this case, having a secret can help give conversations between characters more depth and realism. If you know a character’s secret, it will color everything they do and say. It will make the world feel more real, because the people in it are real. It might even change your main character’s or the reader’s opinion of the character, and that can be used to your advantage when working on stories with mysteries. (And I believe every story should have a mystery, even if it’s not a mystery story, but that’s a whole ‘nother post!)
I would bet that if you’ve gotten pretty far into writing the book, that most of your characters already have a secret, you just haven’t picked up on it because you’ve been too busy forwarding the story. If you’re just starting your book, or you haven’t seen your characters dropping any hints, try giving them one and see if it perks up one of your lackluster scenes, or changes the way your characters view each other. You might just make a discovery or two!
What about you, do you give your characters secrets? What are some of the ways you add subtext and depth?

