Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts

Thursday, March 4, 2010

Teenfire Semi-finalists Announced!

Many of you out there in the YA community have probably heard of the Sourcebooks Fire/Yalitchat contest being held at this time. If you haven't, talented YA writer Georgia McBride(founder of #yalitchat)teamed up with the editors of Sourcebooks Fire to bring a unique opportunity to our community.

Georgia sifts through all the entries picking only a handful of them to be sent to the editors at Sourcebooks. The editors will then pick the winners. There is no guarantee for contracts, but just to have your work read by an editor is a great opportunity.

The semi-finalists were announced today! And Kristi and I both entered and we were both on the list! A happy day for the Sisters in Scribe! Because you know we're all about celebrating baby steps. I imagine Kristi has already danced around her kitchen like a monkey on crack. I haven't had my coffee yet, so that isn't happening. But I did a little wiggle in my chair.

We want to hear about your little accomplishments. What have you done recently to put yourself one step closer to accomplishing your goals? It doesn't have to be a writing goal. Anything we do to better ourselves, even if it's just self-satisfaction, is worth celebrating.

The List of Semi-finalists! from Georgia's Blog.
  1. Kristen Yard
  2. Ethan Marcantel
  3. Gail Zerrade
  4. Lisa M. Basso
  5. Alyssa M. Kirk
  6. Carolyn Grace Matteo
  7. Durga Walker
  8. Courtney Alameda Lowe
  9. Bethany K. Dellinger
  10. K.M. Walton
  11. Christina Lee
  12. Mary Danielson
  13. Kimberly Mitchell
  14. Candace Ganger
  15. Cathy C. Hall
  16. R.C. Lewis
  17. Morgan Baden
  18. Jessie Harrell
  19. P.G.K. Hanson
  20. Laura Perdew
  21. Mark Freeman
  22. Patricia Perez
  23. Eli Ross
  24. Erin Richards
  25. Kristi V. Helvig
  26. Sandi Greene
  27. Nikki Katz
  28. Chris Shanley-Dillman
  29. Lisa Magedler
  30. Joelle McClure
  31. Amitha Jagannath Knight
  32. Tiffany Truitt
  33. Rebecca Lees
  34. Mariah Abotossaway
  35. Steve L. Edwards
  36. Lori Sowell
  37. Lacey Boldyrev
  38. Jordan Elizabeth Mierek
  39. Julie Moffett
  40. Annie McElfresh
  41. Kym Balthazar Fetsko
  42. Pam van Hylckama Vlieg
  43. Elle Strauss
  44. Dean Hardy
  45. Jodie Meadows

Congrats, all and good luck on the next round!

Thursday, February 18, 2010

Story ARC

If you're an aspiring writer, no doubt you've heard tell about story ARC and it's importance. Most of you probably understand story ARC, but for those of you still in the dark I'm going to discuss what I know of it. Mainly because I can't think of anything else to discuss with you today. Sad, I know.

What is arc?
Quite simply, it is your story line. The flow of your novel from beginning to end.

What is the purpose of the arc?
To move your story of character forward. To effect change.

Some classic examples of story arc:
The fall from grace. The bitch-queen of high school falls off her throne and mingles among the commoners, only to realize she has a brain and a heart.

The reversal, a character finding strength. The geek girl finally gets accepted by her peers and becomes popular.

**These are really poor, generic examples**

I always think of a line graph when I'm talking about story arc, and I found this great image from musik-therapy.at

story structure

Beginning: Inner conflict- Your character is struggling with something.

Plot point 1: A crisis happens, throwing everything off track and forcing your character to face something she would otherwise avoid.

Middle: The middle is the most difficult for me to write. I want to make everything happen to fast. This is the part that needs the most revising.

This is where the character needs to face a number of obstacles that move her toward her goal. The important thing to remember here, is that you must keep raising the stakes. Minor tragedy, followed by a major tragedy. If something monumental happens first, it lessens the impact of the subsequent event.

Plot point 2: When all hope seems lost, something happens here that changes the direction of the story again, and the character's goals go from being unreachable to achievable. This is the point of the story where the stakes are highest. Danger, Will Robinson! Danger.
Your character will draw upon all she's learned or gained from those climbing crisis' and use that knowledge to overcome this major obstacle.

End: Yay! She did it! Or not.
The end is just that. The end. This is where we see how the character was able to overcome her situation and prevail, or fail miserably. Depends on what you're writing. But hopefully she prevails, because we like happy endings. Or honest ones, at least. The ending is where you need to tie up your loose ends (all or most, depends on the story). This is where the reader sees the change in the character. The fruit of her labor.

Every time I think about endings, I think about THE LUXE series by Anna Godbersen. I absolutely loved this series. And I loved the way it ended, even though not everything was "happy". It ended just as it should have. Each of the characters got what they deserved, whether or not that's what we, the reader, rooted for. The characters change and grow throughout the series and in the end, that growth is obvious:
The naive romantic grows up.
The playboy settles down.
The persistent trouble-maker relents.
Tragedy strikes the sweetheart, but she overcomes.
Every character experiences change in this series and the last book leaves the reader wholly satisfied with all the loose-ends tied into neat little bows.

If your book is the first of a series, obviously not everything will be tied off at the end, but make sure that book can stand alone.
Happy writing!



One reference book that helped me was HOW TO WRITE A DAMN GOOD NOVEL by James N. Frey



How to Write a Damn Good Novel

A Step-by-Step No Nonsense Guide to Dramatic Storytelling

By James N. Frey
(St. Martin's Press, Hardcover, 9780312010447, 192pp.)

Publication Date: December 1987

Categories: General, Composition & Creative Writing - Fiction

Buy online from an indie bookstore
Find an indie bookstore near you


Wednesday, December 16, 2009

Queries--because you just have to.

Nobody likes to write a query, but alas, it is inevitable in the writing world. Many agents and publishers require a query letter before they'll even consider looking at your writing, so it is imperative that you can make that thing rock!

So how do you do it? What makes a query stand out?

The first step is knowing who you're sending it to. Do your research. Be sure that the agent or editor you're submitting to would be remotely interested in your work. In other words, do not send erotica to an editor who publishes science fiction. The more you do your research and narrow down your choices, the better your chances of getting a partial or full request on your manuscript.

Second step, is to be sure you've understood the submission guidelines. They're all different. If that agent/editor requests the first ten pages along with that query, make sure you send it! If they don't request anything, do not send anything. Do not send bribes, head shots of yourself in your best literary pose, or gimmicks of any kind. If they do not specify format for your query letter, 12pt times new roman font is the norm, single spaced. One page. No more.

Now we get to the goods. What's in a query?
  • The hook
  • The mini synopsis
  • The credentials
  • The close
Those are the key elements that will make up your query. It isn't a resume or your life story, and telling the recipient that you've wanted to write since the 4th grade, is not relevant. It's one page, introducing your book and yourself (briefly).

You should be able to incorporate those elements in as little as three paragraphs. Learn more about the person you will be sending your letter to. Some agents like you to start out by telling them your name and why you chose them specifically(but try not to suck up too much). Others want you to get right to the point.

The hook, is a single line that does just that--hooks your reader. A hook can start with when something happened (When Harry met Sally), give the era or setting in which the story takes place (In Jacksonville North Carolina, at the start of the Civil War), or set up your main character(James can't seem to get his mind off that night when).
The synopsis is where you summarize your entire book in one paragraph. Woohoo! The best way I've found to do this, is expand on your main character, her goal and what's holding her back. One suggestion I've heard is to read the jacket flaps of some of your favorite novels and see how it's been done.
The credentials are all about you. What makes you the right person to write this book? Previous publications? Affiliations?
The close is where you politely thank the reader for his/her time and wrap it up.

And that pretty much sums it up! Agent Nathan Bransford offers up some sample winning queries on his blog from time to time. Be sure to check him out! I find his query mad-lib to be helpful.


**NOTE** If you are writing fiction (and if you're reading this, I assume you are), DO NOT refer to your novel as fiction. "Novel" is fiction by default.

If you've got anything to add, feel free to let us know in the comments section.
--Lacey

Monday, December 14, 2009

Drop the Needle: Submissions Open!

***CLOSED***

Miss Snark is hosting yet another fabulous opportunity for writers over at her blog:

Submit 250 words from your WIP for in house critiques! To participate, you must critique at least 5 others! Visit the above link for more details. Only open to the first 50 or so submissions so get to it!


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