I consider myself many things: writer, mother, small business owner, wife, dog lover, etc. One unexpected label I earned last week was World Class Laundry Folder (those who follow me on Twitter already know this--and that Carolina Valdez Miller is my long lost laundry twin). My 7-year-old son's teacher had assigned an essay in which they had to write about someone who was special to them and why that person was special. Though honored that my son chose me, I was floored when his teacher told me the reason why was my ability to fold "not one, but two loads of laundry at once." Seriously. She thought it was hilarious. Of all the things he could have picked, it wasn't my ability to whip up a mean man-n-cheese or my willingness to repeatedly lose to him in Wii Olympic Snowboarding (I don't try to lose by the way--I just suck at it). No, it was my folding expertise that awed him. I even asked, "You know mommy's a psychologist right, and that I help people." He responded, "Yeah, but you're really good at folding."
[NOTE: These are not my actual folded towels, because I can fold circles around whoever folded these.]
realized that from his perspective, he's never seen me "be a
psychologist" or interact with clients. He sees me, well, folding. I am
going somewhere with this. Every person in your life has a slightly
different perspective about you based on their own interactions with
you, as well as their own 'personal lens' or way in which they view the
world. How we see ourselves doesn't always match up with how other
people see us. This can be tricky when writing, especially with first
person POV. The writer must be able to convey how each character views
the main character (MC) solely based on the dialogue and expressions of
those other characters.
Unlike the MC in a first person
POV, where we are literally 'inside their head', we don't know the
thoughts of the secondary characters--only what they say and do. This
isn't always a bad thing. For instance, it's a great way to add in
conflict, such as when the MC misunderstands the actions or words of
other characters and drama/comedy/murder ensues. However, it also
demonstrates the need to understand each of your secondary characters
really well before you get them down on virtual paper. The 'lens' of the
best friend will be different than that of the potential love interest
and the sworn frenemy, etc. You want each character to be
three-dimensional and believable to the reader. In my last book, several
people told me how much they loved one of the secondary characters--I
loved him too, so it made me happy that others found him 'real.'
How do you make sure all of your secondary characters are three-dimensional? How do you give them unique perspective?
Now if you'll excuse me, I have some laundry to fold. Check back tomorrow when I'm starting a weekly query critique giveaway over on my personal blog! :)